Photos, Film stuff, my life as I try to figure out what to do after four years of film school.
Reblogged from elizabeth-karenina  65,808 notes
  • Lady on the bus next to me:

    Tell me again- what are you not going to do in daycare today?

  • Little boy:

    I will not hit the teacher with a light saber.

  • Lady:

    And why are you not going to hit her with a light saber?

  • Boy:

    It is my toy, and my choice, but if I hit her with the light saber, I'm acting like a Sith.

  • Lady:

    Do you want to be a Sith?

  • Boy:

    No! I am Obi-Wan!

Reblogged from elizabeth-karenina  40,930 notes

demundean:

you know what kills me, what really haunts my deepest darkest dreams? harry using lumos at privet drive in prisoner of azkaban to do his homework. WARNER BROTHERS! Harry Potter WAS NOT ALLOWED TO DO MAGIC OUTSIDE OF SCHOOL. THAT’S WHY HE RAN AWAY AFTER BLOWING UP HIS FUCKING AUNT. Do you understand the MAJOR continuity problem in your adaptation of this billion-dollar book series? DO YOU UNDERSTAND?

harpistin221bwinchesteralley:

pizzoner:

mayra-quijotesca:

trustisforfools:

mrspiritual:

musicalpandas:

gainingconfidencexo:

havocados:

emorenita:

why aren’t these being reblogged more often?i rather see these than “keys in hand”

Fatality

Umm so since I’m stupid could someone kindly explain each step for me like step 3 am i head butting him in the face or the chest? 

I think it depends on the height of the person, but I suppose the head is a more effective target. I hope this helps :)

Step 1: Step back the moment he reaches for you.
Step 2: Duck!
Step 3: Head butt him in the chin. It’s very important that it is the chin and not the chest because it is much more uncomfortable and disorienting to have your teeth bang together especially if it cuts his tongue (which it will if it is in the way). More than likely height won’t matter. He will be leaning forward from the missed attempt at grabbing you.
Step 4: Knee him in the balls.
Step 5: When he doubles over, jab him on his back. I believe at the base of the neck just above the shoulder blades would be best. I’m not an expert, but this seems like the best place, imo.
Step 6: Don’t lose contact. Bring your other hand over and slam your hands against the sides of his heads as hard as possible. Right on the ears is the best place; it is extremely disorienting if done correctly. Then take his head and bring it down on your knee as you bring your knee up. It’s very important that you avoid the nose because if you knee his nose it will definitely break and more than likely the bones will stab his brain killing him, so aim for his mouth instead.
Step 7: Keep your knee up and bring your foot out to kick him over. Personally, I don’t like the image because it looks like she kicked him with her toes. You do not want to do that. Instead kick him with the ball or heel of your foot and put power behind it with a push.
Step 8: He is on the ground. You could probably stop here and he would get the picture, but if you really want to…Your leg is still in the air from the kick. With all your force slam the edge of your your heel on his side. It will be more effective if you lower your body first by bending at the knee of the leg your weight is on. Done right, you can break a rib or two.

reblogging again for that^

Reblogging for the steps in the image and the explanation in the comments. I don’t so much like the explanation on the image proper, but I appreciate the thought behind it (here, have a self-defense thing, it could save you) and so I’m passing it on.

yes

harpistin221bwinchesteralley:

pizzoner:

mayra-quijotesca:

trustisforfools:

mrspiritual:

musicalpandas:

gainingconfidencexo:

havocados:

emorenita:

why aren’t these being reblogged more often?
i rather see these than “keys in hand”

Fatality

Umm so since I’m stupid could someone kindly explain each step for me like step 3 am i head butting him in the face or the chest? 

I think it depends on the height of the person, but I suppose the head is a more effective target. I hope this helps :)

Step 1: Step back the moment he reaches for you.

Step 2: Duck!

Step 3: Head butt him in the chin. It’s very important that it is the chin and not the chest because it is much more uncomfortable and disorienting to have your teeth bang together especially if it cuts his tongue (which it will if it is in the way). More than likely height won’t matter. He will be leaning forward from the missed attempt at grabbing you.

Step 4: Knee him in the balls.

Step 5: When he doubles over, jab him on his back. I believe at the base of the neck just above the shoulder blades would be best. I’m not an expert, but this seems like the best place, imo.

Step 6: Don’t lose contact. Bring your other hand over and slam your hands against the sides of his heads as hard as possible. Right on the ears is the best place; it is extremely disorienting if done correctly. Then take his head and bring it down on your knee as you bring your knee up. It’s very important that you avoid the nose because if you knee his nose it will definitely break and more than likely the bones will stab his brain killing him, so aim for his mouth instead.

Step 7: Keep your knee up and bring your foot out to kick him over. Personally, I don’t like the image because it looks like she kicked him with her toes. You do not want to do that. Instead kick him with the ball or heel of your foot and put power behind it with a push.

Step 8: He is on the ground. You could probably stop here and he would get the picture, but if you really want to…Your leg is still in the air from the kick. With all your force slam the edge of your your heel on his side. It will be more effective if you lower your body first by bending at the knee of the leg your weight is on. Done right, you can break a rib or two.

reblogging again for that^

Reblogging for the steps in the image and the explanation in the comments. I don’t so much like the explanation on the image proper, but I appreciate the thought behind it (here, have a self-defense thing, it could save you) and so I’m passing it on.

yes

Reblogged from cinematicfantastic  90 notes

Hitchcock’s working method is legendary-and virtually unique. Unlike most directors, he has almost every detail planned in advance in his shooting script. Nothing is left to chance, and he disdains the very notion of improvising on set. In most cases, he works closely with his writers, offering them suggestions for locations, character quirks, and thematic details. With mock fiendishness, he enjoys recounting how he will suggest to his writer: “Wouldn’t it be fun to kill him this way?” After they finish the script, Hitchcok then begin his shooting script, which for him is the most exciting part of making movies. Indeed, he claims that the actual shooting is a tedious process for him, since all the creative work has already been completed on paper. Included in most of his shooting scripts are the decoupage of shots, their length, and individual sketches for each. He also includes the sound element and and any technical data such as special lenses or filters that might be required. Andre Bazin once noted that when he was allowed to watch a scene from ‘To Catch a Thief’ being filmed, Hitchcock himself was seated off to the side, giving ‘the impression of being prodigiously bored.’ A far cry indeed from the semi-organized chaos that exist on most movie sets. By

Louis Gianneti, Understanding Movies 2nd edition.

(via cinematicfantastic)